Home Amps Marshall JCM 900

Marshall JCM 900 2501 SL-X Combo Amp : Review

Marshall JCM 900 2501 SL-X Combo

Front Panel

It is furnished with a simple front panel. The two channels, A and B, share the equalization section. Let's see the controls of this Marshall Combo.

Power switch

On/Off.

Standby

It helps to prolong tubes life. Use this switch, and not the Power, when you make a break. The tubes filaments will remain heated and ready to start again.

Input jack

Here you can connect your instrument.

Pre Volume

Choose a lower value to obtain a clean Tone. Higher for a crunch or overdrived sound.

Sensitivity

It is a secondary gain level.

Master A

The overall volume of the first channel.

Master B

It is active only if no footswitch is connected.

The equalization section

It is shared between the two channels. The circuit is passive, so the three controls are interactive.

Treble

It modifies the high frequencies.

Middle

The middle frequencies.

Bass

Adjusts the low frequencies

Presence

Turn it right to produce a more brilliant and clear sound.

Footswitch Jack

Connect the footswitch, P801, to this input.

Rear panel

Let's see the the JCM 900 2501 SL-X rear panel

Effects Loop level

With this selector the level can be modified from -10dBV to +4dBm. Generally, modern effects are at +4dBm.

Send & Return

These 2 jacks allow you to send your sound in an external effect and receive it processed.

Recording compensated Output

Send your sound directly to a recorder or a Mixer. It is filtered, so to be optimized for the recording.

Direct Output

The pre signal, unfiltered, can go directly in another amplifier.

Loudspeakers Outputs

Two Outputs for loudspeakers.

Impedance selector

Matches the impedance to the loudspeakers impedance.

Valve failure led

This led is red when output valve fails.

Other reviews

Guitar amplifiers

  • Marshall
    MG30FX

    If we consider the low price and all the characteristics, it is a good choice. It doesn't sound like a tube model, obviously, but tone is good. Rather flexible.

  • Fender
    Blues Junior

    I loved the Blues Junior at first sight. Beautiful. When Fender makes really a good job it is great. A warm and fat sound that conquers. Perfect for practicing.

  • Marshall
    1987X

    It has the same features of the 1959 SLP but it's a 50-Watt head instead of 100. 3 ECC83 tubes for the pre and 2 EL34 for the power amp section, Send & Return and 3 band EQ.

Effects

Guitars

Multitrack Digital Recorders

Handheld Recorders